Cameron Shafii is an Iranian composer practicing generative and electroacoustic music. His compositions are inflected with a host of digital synthesis processes and are informed by aspects of acousmatic theory, particularly spectromorphology. His works do not impose any temporal scheme upon the listener – rejecting the semiotic operation of ‘engagement/disengagement’ in the discourse of A.J. Greimas. ‘Pithy & Prolix’ – his new piece for the Anòmia label – features sound scenes that emphasize the materiality and morphology of spatial textures. In it, Shafii presents an asymmetrical narrative that articulates tension, amorphous forms, and complex sonorities, signifying a plurality of meaning and complication.
Shafii has performed at concerts, festivals, installations and workshops in the US and Canada. He runs the Ge-stell label and is currently based in Seattle, Washington.
RM Francis is a Seattle-based musician who has been presenting computer-generated sound works through performance, installation and recordings since 2011. Drawing on a panoply of digital synthesis techniques, his work interrogates the boundaries of musical form and performance. His work has been released by DRAFT, Agents of Chaos, and atrium. Francis is also a member of the networked computer music ensemble Mesh Collaborative. His spring 2017 release Hyperplastic Other, a compendium of non-redemptive transformations and asymmetrical translations in the twinned idioms of electronic sound and chocolate, is published by Nada.
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