Live
CYRNAI · debut NYC performance
https://soundcloud.com/carolyn-fok-805921405
4 decades of works by Asian-American Dark Entries Records recording artist Carolyn Fok
Artefactos De Dolor · La Niña record release event
http://soundcloud.com/artefactosdedolor/
previews:
https://soundcloud.com/artefactosdedolor/la-nina-lp
EBM/postpunk en Español via LDY OSC/ Alyssa Barrera, Archetyp, Todd Sines
https://soundcloud.com/ldyosc
https://soundcloud.com/archtyp
https://soundcloud.com/sines
INTERVAL
https://soundcloud.com/intervalaudio
Mechanical Dirges Of Love + Lust
HELIC.AL / Ghostly International / Suction Records
DJ
Charlie
https://soundcloud.com/charlieszum
Szum / Krakow, Poland
$10 Tickets / door
HELIC.AL, CYRNAI, Interval, and Artefactos de Dolor merch for sale
A foreigner in a foreign land. Unrequited love. Broken homes. Domestic violence. Terminal illness. Death. Distance. Personal injury. Financial ruin. Absence. How does your pain define you?
La Niña is the debut album from Artefactos de Dolor. Recounting collective past and present struggles, La Niña is a cathartic exercise to confront the pain that exists in all of us; the scars that form our faces, bodies, and souls. Each song exposes a facet of pain that manifests inside the outsider; the local; the nomad; the hermit; the dreamer; the thinker; the scorned; the lover.
Artefactos de Dolor was formed in 2017 by Mexican artist Alyssa Cecilia Barrera Auvinen, and NYC [by way of Ohio] vets Todd Sines [Interval, .xtrak] and Charles Noel [Interval, Archetyp]. Raised in the contentious Mexican/US border town of Nuevo Laredo, MX and Laredo, TX. Alyssa is the daughter of a father from a criadore de gallos familia, with a long tradition of champion cock-fighters. Alyssa’s debut release as LDY OSC was first launched in 2017 with a single and an EP on The Bunker New York, with two forthcoming releases on Squirrels on Film and Kontra-Musik. She currently resides in Vienna with her husband Johannes Auvinen (TIN MAN), where she works on music production and vintage synthesizer repairs. Alyssa leads the trio’s plunge into uncharted cenotes on the second release on HELIC.AL. Since their inception, they have headlined the stages of Synthposium in Moscow, Russia, in addition to select dates in NYC, Tokyo, Los Angeles, San Francisco and Detroit, MI.
Wading through dozens of experiments Sines made whilst beta testing modular synths, the trio honed in on 11 selections to form the basis of La Niña. Conjuring Wixáritari ceremonies, Alyssa screeches, chants, shrills and squawks like an omni-directional exorcism in forward and reverse, replete with indigenous Mayan sounds — such as the pajaro tortuga “Turtle bird” wind instrument found on Ritmo Primal. With Sines on clarinet, bass, guitar, and programming; and Noel on percussion, bass, whispers, and synths; the trio volley their rhythmic, melodic and textural energies to create new spaces for Alyssa’s vocals to suggest, command, and seduce as the fulcrum in between.
Alyssa Barrera vocals
Todd Sines bass, guitar, clarinet, programming
Charles Noel percussion, * bass, † backing vocals
Amanda Berkowitz bass °
Mixed and engineered by Artefactos de Dolor at HELIC.AL in Brooklyn, NY.
Mastered by Josh Bonati of Bonati Mastering, Brooklyn, NY.
A1- Al Revés °
A2- Ritmo Primal †
A3- ¡Animo! *
B1- Llamen al Señor
B2- Medicina Una Rutina
B3- Siento Ø
C1- NE-SA-U
C2- 237 Recíbelo
C3- [Cenote Dos Ojos]
D1- El No, El No *
D2- Murciélagos *
Debuted on Lena Willikens’ Electrical Conductor by Traxx, 22 August 2018
https://www.nts.live/shows/lena-willikens/episodes/lightning-conductor-22nd-august-2018
"La Nina slices through the surface of the status quo with a release that is constructed through an equation of post punk aesthetics and mutant dance experimentation. Refusing the glossy shades of flowery escapism, Artefactos de Delor recalls the urgency of sonic accounts that spawned in dingy basements around the world during the Cold War.”
— Justin Aulis Long
L.I.E.S., Soft Machine, Smart Bar / Hugo Ball, Chicago
"touching the boundaries between Der Plan, Diseno Corbusier, and a splash of The Flying Lizards....dripping with dirge. Dig it. Also anytime i hear a Minikorg 700s in a track i'm instantly in love”
— Beau Wanzer
L.I.E.S., Mutant Beat Dance, Nation, Russian Torrent Versions
On 21 May 1993. the first of a series of ele_mental events were launched, at an Ohio State University parking garage, launching the careers of many midwestern electronic musicians; from Dieselboy to Titonton. Their next event, Comfort, with almost a thousand attendees, crystallized their long-standing association with Detroit's own Jon Santos, Brian Gillespie, Claude Young Jr., Anthony Shakir, Mack Goudy Jr., and by nature, Daniel Bell, Carl Craig, Underground Resistance and more.
ele_mental's core has consistenty challenged the notion of art, movement, and music, with their later active_not_passive ambient series, ele_ment series of live concerts with influencers and the influenced, a collaboration with FIREXIT's Matt Clausen, Daniel McMahon, bringing The Rapture, Mouse on Mars, Tortoise's Chicago Underground Duo, OVAL, Monolake and POLE.
In recent years, after their moves to NYC, Charles Noel and Todd Sines continued to push into new territory, with the launch of their band, INTERVAL featuring close friend Andries Boekelman; in their quest for the right fit for a label, they launched HELIC.AL, a response to creating long-last artifacts of pure analog / physical recordings; and their new projects Artefactos De Dolor with The Bunker's Alyssa Barrera / LDY OSC, and Vertical Silence, a new post-punk project from Charles Noel.
Since 2016, HELIC.AL have hosted Eric Random, Das Ding, Cindytalk, John Bender, Ike Yard’s Stuart Argabright as Black Rain, Charles Manier, Zöe Zanias, 51717, Stallone the Reducer, Bill Converse, SSPS & Gramma of Excepter, Möthersky, Soren, Moonstarr, Titonton, Richard Fearless and many more. Most of our artists have been bending & sculpting sounds from 1977 & onwards; so each event brings together artist whose “heyday” were in the 80’s, 90’s, etc and we juxtapose then with up and coming artists to present a diverse lineup (Asian, Polish, Bangladesh and Mexican artists are part of the bill); this year also exhibits a 50/50 gender balance.
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