Omniversal Hum presents Jasmine Guffond, Third Space and Jannah Quill + Sara Retallick.
Jasmine Guffond is an artist and composer working at the interface of social, political and technical infrastructures. Her practice spans live performance, recording, sound installation and custom made browser add-on. Through the sonification of data she addresses the potential of sound to engage with contemporary political questions and engages listening as a situated knowledge practice.
Interested in providing an audible presence for phenomena that lies beyond human perception, via the sonification of facial recognition algorithms, global networks, or Internet tracking cookies she questions what it means for our personal habits to be traceable, and for our identities, choices and personalities to be reduced to streams of data.
Jasmine has exhibited internationally including composing sound for Shulea Cheang’s installation at the Taiwanese Pavilion, Venice Biennale, 2019, and collaborating with Zorka Wollny on a sound installation for the Chicago Architecture Biennial, 2019. She completed her Sound Studies masters at the University der Künste in 2015, received the ‘Working Grant for New Music und Sound Art’ from the Berlin Senate in 2016, was featured in Wire magazine in 2019 and interviewed for ‘Listen to Lists’ a publication by Haus der Kulturen der Welt and Spector Books, 2021. She has performed live internationally at electronic music and art festivals including opening for CTM festival in 2020 and has released solo records to critical acclaim with the Sonic Pieces (2015, 2017), Karl Records (2018) and Editions Mego (2020) labels. In 2021 Dr. Jasmine Guffond completed her PhD at the University of New South Wales Art, Design & Architecture department, where she conducted research into sound as a method of investigation into online surveillance cultures.
Third Space is the musical project of Melbourne-based experimental artist and performer Matt Sabbadini. His work presents a convergence of electro-acoustics and drone, underpinned by tonal, pulse-based percussion, where polyrhythms and deceptive time signatures are linked together with sine tones. Performing live, Third Space balances hesitancy and tension, flexing and bending within a sub-heavy framework, complemented by warped and mangled field recordings. The physicality of sound here is expressed, questioned, and reinterpreted.
Sara Retallick and Jannah Quill will be working collaboratively for a dynamic one off set working with improvised electronic sound setups.
Sara Retallick is an artist, musician and educator living and working on Wurundjeri Country in Naarm (Melbourne).
Her work explores listening and human perceptions of sound through constructed sonic encounters. Her current projects investigate listening underwater to expand sonic contexts and to push the physical limits of listening and understandings of sound.
Jannah Quill is a Naarm (Melbourne) based cross-disciplinary artist exploring the boundaries of electronic music production and performance through technological research and experimentation. She has an ongoing interest in the interplay between light and sound, with major presentations of audio visual works which use innovative A/V systems to invert traditional signal flows and sonify light. Her music production is a reflection of her varied experience across experimental music, sound design and contemporary club contexts, as well as her ongoing practice in modular and analogue synthesis; the latter of which has spurred research into relationships between generative synthesis, intuitive composition and feminine technological histories.
Última actualización
2 months ago¿Hubo algún problema con el evento?
Ponerse en contacto con el servicio de asistencia de RA tickets