First edition of Ambient Chapel meets interdisciplinary musician Echo Ho and hypnagogic pop pioneer James Ferraro. Ho explores voices and states with sensitive, experimental sounds by self-developed instruments and manipulation, sometimes with her Slow Quin, an acrylic glass variant of the zither Guzheng. Ferraro's soft spot for neo classical in his acoustic hyperreality is linked to a preference for floating synthetic choirs with electronic sounds, drones and entities into a sacred dystopia.