MARK BROOM (Blueprint/Material/Soma/2020 Vision|UK)
Since the start of 90s, Former East Londoner now Norfolk based Mark Broom has always been a name that is synonymous with the UK electronic music scene. A truly prolific artist, he has a myriad of production credits to his name having worked with world renowned labels such as Mo-Wax, Warp, R&S, Soma, Ifach (with Baby Ford ) Bpitch Control, Platzhirsch,Rotary Cocktail, Material and more recently 2020 vision It all started in the summer of 89 when he landed in Tenerife on vacation and stumbled across the delights of the emerging sounds of Chicago & Acid House. Returning to the UK, he immediately went in search of this new found music a pair of turntables were bought and with it, a musical career was born. A regular customer at London’s Fatcat record store, Mark found himself at the epicenter of a burgeoning scene. In 92, a certain Pete Baby Ford was on the scout for Djs to play at his new Club Night, Nude. When a mix tape was put directly in to his hands, Marks turntable skills were soon in demand. A short time afterwards, he found himself in being introduced to Ed Handley and Andy Turner from the infamous Black Dog Productions. The meeting brought about the foundations of a solid studio partnership, with the trio putting together a string of releases for the seminal General Productions Records, all recorded at UXB studios. Run by a certain Dave Hill, after two years of coming and going to his east London hideout, Dave approached Mark about making some music together. From there, a longstanding partnership was spawned with the founding of Pure Plastic Recordings in 1994. With the label having played host to some of Marks finest work, the release of the classic Angie is a shoplifter LP in 1996 cemented his reputation as a leader in the scene. In 2001, further notable success was scored with the writing of Rue East’s Indoor Culture Lp alongside Dave Hill. An album which brought about the massive techno classic, Birmingham. Marks services as a Dj and re-mixer have also been in high demand over the past two decades having played around the globe at some of the worlds best clubs: from Fuse to Fabric, to La real and Florida 135 and, he has also had the pleasure of reworking material from artists such as Steve Rachmad, Ken Ishi, The Advent, Eddie Flashin Fowlkes, Ben Sims and more recently Mason on Great stuff. Mark has recently signed to 2020 vision for 3 ep's the first " Black Russian ep " already proving very popular amongst the masses. Also coming up are remixes of his Bpitch Control release " Twenty Nine which will be released on Memo, Remixes for Dubfire, Fuse Also he has collabarations with Two Emm from Berlin, Dustin Zahn and also with Safras on the Material label....Looking good for 2009 :)
MATTHEW HOAG (DICE-MAN/SI)
Being anonymous music aficionado, music professional or a sexy Pacha girl, there are two things you really should know about Matthew Hoag: meeting him in person is always fun. Joining him for the night clubbing is a life changing experience. This vivid, cheerful, friendly bon vivant isn't just one of those guys who want to know everything about the music as an art and the whole business behind it. He's foremost a really nice person and his works are excellent reflections of his embrace-the-life globe trotting attitude.
The earliest seed that indicated Matthew's future career is hidden somewhere on the dance floor was his passion for light shows. He became light-operator for the matinees in one of the local clubs already as a teenager. Few years latter he took a job at the local radio station. That's where he learned how the radio station works, how the program is being put together, he became skillful technician, and he also listened to a lot of music: "I guess this is the main reason why I can't be put in the box as an artist. I was exposed to all range of commercial and non commercial music. And it was that period when I grew taste for good alternative music and explored even genres such as jazz and blues."
Meanwhile his career took a big leap forward as he became "illegal" light operator at the infamous Ambasada Gavioli club. This wasn't his job. Put more precisely: he wasn't even allowed to come near the console by the boss. But the resident deejays liked his touch and invited him into the booth whenever possible. "I was hanging around to listen to the sets of Valentino Kanzyani. Ambasada was the playground for the biggest names in the game. And Sven Väth was the one that really stood out of the flock: it was his human energy, power of his music, his ability to control the dance floor what ultimately convinced me to become a deejay."
Although it wasn't Sven's or Valentino's sound that he wanted to follow. "I've started with house, explored the progressive and I guess I could be considered tech-house artist nowadays," summarizes Matthew who as a very versatile and eclectic artist doesn't brand himself. He broke trough as a deejay when spotted by Valentino Kanzyani at the party in Croatia.
2008-2009 saw Matthew kicking the dance floors around the globe, from Columbia to Turkey,from Spain to Greece, from Germany To Brasil. Be prepared for another year with Matthew:)
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