Two sets/installations of electronic sound by fatalism and Isaac Sullivan.
fatalism (aka Salem Rashid Skourlis) presents at KET the project “fatalism:(n)ether”. Nether — an ongoing series of worldbuilding speculations — explores ecology, time, and pacifism through sound, installation, sculpture, and performance. These elements, forged through peregrination, shape the uncanny soundscapes of Bedouin Records founder Salem Rashid Skourlis. The Bangkok & Tokyo-based artist sketches dystopian post-industrial worlds within his compositions, dread audio that mutates decay and delves through pathways of trauma and mysticism. In his work, Skourlis creates portals to other dimensions in seeking answers to the physical conundrums of our own. His debut album Gh0st on his label Bedouin Records encapsulates that cinematic otherworld philosophy. Released with a short film directed by the Tokyo-based filmmaker Tatsuya Fujimoto, each summoning of the sonic abyss is a ritual in pursuit of the apparitions of the liminal mind—beyond the corporeal, into our inmost light.
www.fatalism.live
www.fatalisms.bandcamp.com/album/gh0st
www.instagram.com/fatal_ism
Isaac Sullivan presents at KET the project “Utopics 6”. Utopics is a series of site-responsive spatial interventions that recursively apply sound, video projections, mirrors, text, and photogrammetry to distribute and amplify the presence of the elsewhere within the here-and-now. With past iterations in a church in Berlin, a warehouse in Dubai, a palazzo in Venice, and a former ice factory in Mumbai, each edition contemporaneously indexes and mediates its placement. Employing mise en abyme to reckon with persisting conceptions of linear time, futurity, and catastrophe, Utopics takes up a non-nostalgic relationship to the future; and invites an open contemplation of the past in which histories and memory are necessary, yet not entirely sufficient.
www.isaac-sullivan.com/utopics
www.instagram.com/echoholdings
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