This is Tmrw presents..
MATTHEW DEAR (LIVE BAND)
Matthew Dear released one of the best records of 2010 in ïBlack Cityt. I think itks fair to say this album has put him in the same league as the likes of Four Tet and Caribou. Not forgetting his remixes last year, including his re rub of The XXTs VCR and his live show which has left jaws touching the floor (file under Bowie and LCD Soundsystem)uThis show is one of only two solo dates whilst Matthew travels the country supporting Interpoli..Wenre so exited to be welcoming him to The Hare and Hounds .This is seriously not a show to be missed..
PLEASE NOTE THIS SHOW TAKES PLACE IN VENUE 2 SO CAPACITY IS STRICTLY LIMITED
Full Bio:
Depending on whom you ask, Matthew Dear is a DJ, a dance-music producer, an experimental pop artist, a bandleader. He co-founded both Ghostly International and its dancefloor offshoot, Spectral Sound. HeSs had remixes commissioned by The XX, Charlotte Gainsbourg, Spoon, Hot Chip, The Postal Service, and Chemical Brothers; hehs made mixes for the Fabric mix series and Get Physicales Body Language. He maintains four aliases (Audion, False, Jabberjaw, and Matthew Dear), each with its own style and distinct visual identity. He straddles multiple musical worlds and belongs to nonerand heds just hitting his stride.
Matthew Dear s 2003 full-length Ghostly debut, Leave Luck to Heaven, is a suite of sparse, wickedly funky house laced with Dearls deep, distinctive vocals, and includes the much-loved single Dog Days (voted one of Pitchfork½s Top 100 Songs of the Decade). The record was met with rapturous acclaim from both the dance-music establishment and the critical press, including a four-star review in Rolling Stone. Dearos 2007 follow-up,
Asa Breed, is a considerable departure from Heaven s dancefloor excursions, incorporating the polyrhythms of Afrobeat, the irreverent pop sensibilities of Brian Eno, and the austere beauty of Krautrock. More four-stars reviews followed (Q and Mojo magazines), and Dear subsequently began touring with a live three-piece band, Matthew Dearws Big Hands, in which he acted as frontman, commanding the stage with a Bryan Ferry-like swagger and a gentlemanhs grace.
Today, Matthew Dear finds himself in a unique position. His highly anticipated fourth album, 2010is Black City, is the culmination of years of hard work and experimentation, a darkly playful sound-world that envelops the listener like the arms of a malevolent lover. After over a decade of exploring popls outer limits, Matthew Dear now inhabits a rarefied corner of the musical universe: no longer tethered to any one genre, respected by his peers, and blessed with a bottomless well of creative energy. Now is Matthew Dearms moment, and it sounds like nothing else.
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