Duo performance from Jessika Kenney – a vocalist known for her haunting timbral sense, as well as her profound interpretation of vocal traditions – and Eyvind Kang – a violist for whom the act of music and learning is a spiritual discipline.
Their LP ‘Aestuarium’ was the second release on Stephen O’Malley’s Ideologic Organ label. A meditation on a psalm of lamentation and the unary tone in the metaphor of salt and fresh water, inspired by Gaelic psalmery, Tibetan notational gestures, and the microtonality of the tetrachord, ‘Aestuarium’ was recorded on the shore of Colvos Passage in 2005 by renowned engineer Mell Dettmer. This was followed up by the equally striking beauty of ‘The Face of The Earth’ in 2012.
“Aestuarium is a work of delicate beauty, as pristine as the surface of a lake at dawn on a summer’s morning.” – TheQuietus
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“Bee Mask produces medium specific, high-caliber synthesized compositions with mind-altering intent beyond the scope of what one might “check out” to while having their tarot cards read.” – Altered Zones
Over the past couple of years, Bee Mask has emerged from the DIY underground via an esoteric collection of cassette and LP editions, each of which offers a profound and personal sonic world: a world littered with pulsing waves, control voltage emissions and haunting melodic phrases that echo in the mind like forgotten dreams.
Developing a range of hand-made electronic devices, Bee Mask has been able to create a sound that is entirely his own. It’s through instruments that he has been able to grow such an otherworldly sound – an audio vision of a possible future, or a parallel universe in which the very nature of sound, space and time is bent, re-arranged and re-composed with utterly absorbing results.
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