The JUNIOR BOYS defy any easy equation of pop or dance, joining a long tradition of sonically rich pop that unites emotionally charged songcraft with experimental genres eg – New Order, Beach Boys. They break new ground for electro-pop, blending heartfelt vocals with a production style that owes a debt to artists as varied as Timbaland, Todd Edwards, Fennesz and the Basic Channel school. In short, it reflects early 80s pop history back through the styles of contemporary dance.
METRONOMY slot perfectly into a new, experimental landscape, though they mine their own seam. Sitting somewhere between Kraftwerk, Devo, N.E.R.D and your favourite indie band, as well as experimentation there's also a joyous humour in what they do. From the light show /synchronised routines / occasional dance troupe of their increasingly renowned live shows, trademark Metronomy electronics remain utterly fresh.
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PRINZHORN DANCE SCHOOL - Signed to DFA, this three-piece’s boy-girl harmonies and stripped back instrumentation are in the vein of The Kills and Ravonettes, producing starkly precise songs.
Staple of leftfield dance music, MORGAN GEIST is the highly-regarded remixer and producer both solo and as half of Metro Area. Geist has lent his touch to a wide range of artists including Hugh Masekela, Telex, Erlend Øye and was responsible for the amazingly popular remix of The Rapture’s “House of Jealous Lovers.”
KELLEY POLAR constructs beautiful and personal songs from and for the heart and mind - a perfect amalgam of elegant pop songwriting, disco boogie beats and electronic glitches. Influences range from Brahms to the Beach Boys, Space Disco to early Stevie Wonder, with flutters of Gil Scott-Heron and Kraftwerk, Bedouin Soundclash and Ultravox.
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