The 15th anniversary edition of CTM – Festival for Adventurous Music and Arts – will take place January 24 – February 2, 2014 in different venues across Berlin, including the HAU – Hebbel am Ufer, Berghain, Stattbad, and the Kunstraum Kreuzberg/Bethanien.
Under the title Dis Continuity, CTM 2014 zooms in on a range of musical pioneers whose curiosity and pursuit of new, idiosyncratic forms have kept them off the radar, even while their explorations and discoveries continue to influence how we create and experience music today. In so doing, the festival aims to encourage dialogue between past experimentation and a rising generation of creative minds. The festival's 15th anniversary is also an occasion to reflect on its own history, and to address the increased desire for historic references felt at the dawn of the post-digital era. More information on the theme here.
The festival’s mix of concerts and club events will once again be supported by an extensive daytime program of talks, workshops, exhibitions and more. As always, CTM will be held parallel to and in collaboration with transmediale – festival for art and digital culture which takes place at the Haus der Kulturen der Welt.
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Thomas Ankersmit[NL]
The work of Thomas Ankersmit ranges from performances on rare analogue synthesizers to microtonal improvisation on alto saxophone and explorations of anechoic chambers, abandoned radar domes, and otoacoustic emissions.
Rashad Becker[DE]
Over the years, Rashad Becker has accrued credits on over 1,200 albums as a mastering and cutting engineer at Berlin’s esteemed Dubplates and Mastering and his own Studio Clunk. His 2013 album on PAN, Traditional Music of a Notional Species Vol. 1, is his debut issue as a producer.
Sven-Åke Johansson[SE/DE]
Born in 1943 in Mariestad, Sweden and residing in Berlin since 1968, Sven-Åke Johansson is a composer, poet, percussionist, and visual artist, and a vanguard of the European free improvisation music scene.
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