Renaissance & Global Underground Easter Masqurade Ball ft Satoshi Tomiie & Nick Warren
A massive Easter Saturday event when we combine 2 of the worlds biggest underground record labels Renaissance & Global Underground & 2 of the worlds biggest superstar & legendary djs Nick Warren will be touring his most recent Global Underground in Lima release
Satoshi Tomiie will be touring for his most recent Renaissance Master Series release
Satoshi Tomiie
By all indications, Satoshi Tomiie is off to a fantastic start in 2008. His second album for Renaissance, “The Masters Series Part 9” has been released and is already creating a buzz, much like his 2006 Renaissance release, entitled “3D”. Satoshi was the first artist asked to participate in the “3D” series and his album was widely praised for its broad range of music.
Satoshi’s heavy tour schedule is about to get even busier with the kick-off of the Def Mix summer tour season which launches in May.
Satoshi is also President of Saw Recordings. The label has earned a formidable reputation for credible club grooves. Taking its name from a sound wave, the company has unleashed more than 50 singles and several albums—-including Chab’s sublime variety of rock, electro and house tracks, “Undulation One” mixed by Tomiie and Hector Romero, “Undulation 2” mixed by Audiofly, and Satoshi’s “ES” and “ESB”. Saw has moved into digital distribution with their product selling via iTunes, Beatport and others. The label represents Satoshi’s vision by creating music and introducing opportunities for lesser-known producers in both Electronic and Dance Music.
Trained in Japan as a classical musician, he used his talents in the early years to write, program and produce some of the biggest house records of our time. Satoshi’s debut solo album was 2000’s massive ‘Full Lick’; a mix of classic vocal house styles and darker progressive moods. ‘Full Lick’ featured the outstanding Satoshi anthem “Love in Traffic”, with Kelli Ali (ex-Sneaker Pimps) on vocals.
Currently, Satoshi works year round in his studio and on the road via laptop. He continues to DJ, create new tracks and collaborate with other writers wherever he is in the world. When not traveling, he has called New York City his second home for over a decade.
Nick Warren
Selecting the Peruvian capital Lima for his latest instalment in the legendary GU city series, Warren compiles an entirely exclusive track list to capture the sound and ambience of this historic former Incan city.
Based around the Global Underground event captured in the album’s beautiful stylized artwork, the GU Lima mix is a sonic missile – simple, direct, and deadly. There is a definite cosmopolitan futurism about it akin with the city itself– a track called ‘The Castillian’ melting into one called ‘Siberian Transit’, being a case in point.
Beginning quietly with Paul Roger’s ambient ethereal intro CD1 quickly plunges into the awkward bleepy techno of Nils Nuerenberg’s ‘Seduction’ taking the album to an immediate high. The creepy girlish laughter that seeps into the pulsing house groove of Kruse and Nuernberg’s ‘An Why E’ brings an edge of menace to otherwise beautiful melodies, as Jarius Miller’s ‘Botnet’ continues the trip with bleeps and bloops that land from outer space. Culminating in the ghostly finale of 16 Bit Lolitas mix of Astrid Suryanto’s grandiose ‘Distant Bar’, CD1 sets a tone that continues prompting the question, could this be Nick’s most cohesive Global Underground mix to date?
CD2 begins with Alex Dolby’s ‘Long Beach’, a track that drops a funky string refrain onto twisting electronic flutters. The squelchy minimalist bounce of Chris Croat Yvel & Tristan’s ‘Panama’ backs up with Nicolo Vivarelli’s ‘I Am Trying’, haunted by distant radio voices edging nervously in and out of a disco bassline.
Thomas Sagstad’s ‘Castillian’ builds energy with its relentless string refrain with twanging Spanish guitar flourishes, while a flurry of vocals arrive on the The Steals vs. Grafiti’s ‘Sinner’ (Leama and James Davis ‘Grafiti’ Mix) with its echoing, poppy vocals floating on stuttering rhythms, lush chords and electronic squeals that slowly spiral upwards. Warren brings out some big guns for the finale. Analogue People In A Digital World’s ‘Before The Wind’ drives its relentless groove home, occasionally lighting up with brief, bright flashes of melody. The closing Perc’s ‘Bosworth’ has the only big breakdown on the album and is soon back to a luscious, yet minimal groove… another no nonsense underground burner from an album that is full of them.
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