KEVIN DRUMM
Emerging from the city’s improvised music scene, in the 1990s Kevin Drumm became one of the world’s pre-eminent prepared guitar players. Since then his work has expanded to include electroacoustic compositions and live electronic music made with laptop computers and analog modular synthesizers. His early recordings contain mostly sparse, quiet sounds; recent works have been more loud and dense. Drumm’s work draws upon musique concrète, electronic sound, improvisation, heavy metal, and noise music. He is also a black metal fanatic.
Drumm made his solo debut with the eponymous release Kevin Drumm in 1997 and has since released over 30 records. He has collaborated with many artists working in similar fields, including Japanese guitarist Taku Sugimoto and multi-instrumentalist and producer Jim O’Rourke.
CAMERON SHAFII
Cameron Shafii is a San Francisco-based producer practicing generative and systems music. His compositions are inflected with software processes involving spectral analysis, convolution, recombination, file handling, and stochastic elements. His works do not impose upon the listener any temporal scheme - 'engagement/disengagement' in Greimassian terms - refusing to form what we call a narrative tension. But his music has kinetic movements and climaxes; a functional exploration of sounds that range from microscopic and minimal, to macro and maximal. Shafii has remixed, reprocessed and produced compositions for Anòmia and Farmacia901. Currently, he is working in conjunction with Scald Rougish (Chris Douglas) for a forthcoming collaborative release. He runs the Ge-stell label.
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