Andreas Lutz is a German artist and experimental musician.
Andreas Lutz’s (*1981 in Freiburg, Germany) initial works refer to alternative human machine interaction and the approach, to create integrated and universal communication systems. In his recent work, he increasingly analyzes and reveals phenomenons of perception versus reality and principles of abstract aesthetics with audio-visual installations. The creation of experimental soundscapes and the relation of semiotics and sound are further aspects of his work.
Among others, Lutz’s work has been exhibited at ZKM in Karlsruhe (Germany), the Antarctic Pavilion during 57th Venice Biennale (Italy), the National Art Center Tokyo (Japan), at ISEA2017 in Manizales (Colombia), the OpenArt Biennale in Örebro (Sweden), at Galerie Mazzoli in Berlin (Germany), at FILE Festival in São Paulo (Brazil), at Nuit Blanche in Brussels (Belgium), at KOBE Biennale (Japan), at Berliner Festspiele (Germany) and at Goethe Institut Rome (Italy). He has performed at transmediale / CTM Vorspiel in Berlin (Germany), at SuperDeluxe Tokyo (Japan), at Festival de la Imágen in Manizales (Colombia), at WASP Bucharest (Romania), at FORUM Kyoto (Japan) and won the Excellence Award at the 19th Japan Media and Arts Festival (Japan), the Premio Celeste Art Prize (Italy), the German Design Award (Germany) and the Webby Award (USA).
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Zwölftonform, Kasuga Records, kasuga014
Almost, Motor Music, blv313994
Various Artists, Deep Train Volume 7, Plastic City, plac0814
Various Artists, Metropolis, Jubilee Records, jcomp019
Fairgrounds Night, Kasuga Records, kasuga001
Various Artists, Rare Grooves, Audio Lotion Recordings, lotioncomp039