Olmos

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Biografía

  • Roberto is one of the top djs in mexico right now, emerging from Juarez, wich is now a known city worldwide, not only because of its violence or crime, but because it has become the biggest dance music spot in mexico, with a scene that seems to grow ev..
    Roberto started showing interest in music at a short age. He first started listening to rock, alternative, hip hop, jazz, r&b, and he fell in love with music. He then decided to make music a very important piece in his life. His first connecction to dance music, was through his friends, then he started to attend clubs and parties falling deep in love with everything that surrounds this kind of music. He started djing back in 2002 and hasn't stopped since, playing in clubs and parties in his hemetown, the infamous j-town, a very important dance scene spot in mexico. He is now working with two fellow djs Sergio Jimenez and Gabriel Izarraraz in The Independent Corp, promoting their own parties with international and national artists. He takes part in The Terrible Children project, which is a management agency that promotes djs.Roberto has shared decks with artists such as Karlos Elizondo, Quecho, Tini Tun, Eduardo Rosell, Rodrigo Espinoza,The Midnight Perverts,Gabriel I, Sergio Xmnz, David Teruel aka Crisko, Jesus Parada aka Josta, Luis Dena, Steve Pd, Barbie, D:Fuse, Phil K, Randall Jones, Jimmy Van M, Sean Cusick, Slacker, Hipp-e(H Foundation), Chloe Harris, Bill Patrick , Mili Sefic, Martin Eyerer to name a few. He has played in Chihuahua, Monterrey, Torreon, El paso, Albuquerque, Las Cruces, Brownsville, South Padre Island, McCallen,he has also been a resident dj in the most important clubs in his city such as Friends, La Serata, Euro Club, Spin, Altitude Concert Hall. His sets have been played in important radio stations, such as, Proton Radio and Plur Fm. His sets are full of, deep and thick basslines, with a very techy sound, always aiming to move people on the dancefloor and at the same time, make and let them apreciate the music. ..
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